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She is prolific and consistent if not as widely read as she should be. Her writing follows troubled men and women, overcome by an everyday assault of ephemera, whether external, as in the sleepless New York City night that is the premise of her novel No Lease on Life, or personal, like the narrator’s fascination with her own skin in American Genius. Her stories contain less of a plot than a scattered mind jumping from one association to the next.
Don’t Call Her Experimental: Lynne Tillman’s Realism Of Indeterminacy | The New York Observer
Interview interrupted at the end by no less a person than Colm Toibin. Oh the excitement.
Tillmann’s new book is published by Richard Nash’s new imprint, Red Lemonade. Her back catalogue will be reissued next month.